For example, I’ll introduce the viewer to Chuck, who has a lush, green backyard. I call it the “Pregnant I.” I start and end each package with a single thought, subject or personality. The writing style I usually employ allows me to do a lot of stand-up bridges. (Hopefully I instead pull it off live.) A bridge allows me to be creative and not interfere with the producer’s plans. What if I front a story live? I don’t want to waste any time recording a creative stand-up tag only to leave it in the can. That’s almost a procedural habit of mine. I usually avoid stand-up closes because very often I am fronting the story and will appear at the beginning and end of the story live. A stand-up close wraps up the story at the end with a final thought and a sign off, “in Chula Vista, Joe Little, 10News.” Little: In the way of background, a “bridge” literally bridges two thoughts together in the middle of the story. Tompkins: All of the stand-ups on your sample reel are “bridging” stand-ups, not closing stand-ups. I’ll bet my next paycheck that people would rather see my video than any city council chamber video. But spice up a city council meeting or a water authority announcement. Some days, you just can’t do these stand-ups for murders, crimes, etc. Now, to be honest, I would love to say I whip one of these babies out for every story. Once you do enough stand-ups by yourself it gets easier and easier. There has to be room for my fat head, any subject matter and any movement. I look for meaning, balance and creativity. The tricks I use are the same ones a good two-man crew would use. Without that, I add at least 15 minutes to a shoot. I can flip the viewfinder over, stand in front of the camera and see (with the help of laser-corrected vision) where I am framed up in a shot. Little: The biggest breakthrough in one-man-band/visual journalism technology is the flip-over reversible screen. For starters, how do you frame stand-ups that you walk through? Share some of your tips and tricks with us. Your stories, though, are more creative than the work of most two-person crews I see. Tompkins: Lots of one-man-bands (OMBs), or “digital correspondents” as you at 10News in San Diego call them, struggle to include stand-ups in their pieces. Watch this video featuring excerpts from his stand-ups, then hear from Little about how he does his work.īelow is an edited version of our exchange: (A stand-up for those of you print and online folks who don’t know is when a journalist appears, talking, on camera.) The e-mailers all marveled at how this guy, working alone, could be so creative, especially shooting his own stand-ups. In other words, he shoots his own video, reports the story and edits it. Inside of one week, four people sent it to me. A YouTube video of KGTV’s Joe Little has been making the rounds lately.
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She wore a blue reproduction dress from 1965, known then as "Happy Birthday." In 2007, Mattel released their second vintage reproduction Skipper doll, this time sold in a gift set along with a reproduction of a vintage swirl ponytail Barbie doll. Instead of the usual vinyl, the dolls were made of porcelain. In 1994, the first vintage reproduction Skipper was produced specifically for collectors to celebrate the 30th anniversary of Skipper's introduction. She no longer looked like a child but more like a girl on the brink of becoming a woman, appearing to be 16 years old. Most notable of all, however, was Skipper's new face mold. This was mostly because of her legs, which were now long and lanky. She again had a new body mold and was now almost as tall as her sister Barbie. Dolls with the 'Pizza Party' Skipper head mold and the 1960s head mold are the most sought-after Skipper dolls by collectors.įinally, in 1997, Teen Skipper was introduced. Many collectors believe that the 'Pizza Party' head mold was the most popular version of Skipper, if not the prettiest. Later, Skipper had a new head mold with smaller eyes in a Pizza Party line, but with the same body mold. At this stage, she appeared to be somewhere between 13 to 15 years old. Her eyes were also enlarged, giving her a cartoon-like look. Her waist was more flexible, and her breasts were slightly bigger. Her new body mold was taller and more graceful. Skipper changed again in 1988 with the release of Teen Fun Skipper. In 1985, Hot Stuff Skipper was released, which had another new head mold that included dimples and a longer face. She was advertised as "Super Teen Skipper." She had a new body mold which included small permanent breasts and a different head mold that made her look slightly older. In 1979, Skipper's entire appearance changed. When you swiveled the doll's arm, she grew small breasts on her rubber chest and grew taller in height. In 1975, Growing Up Skipper was released. She had a new look, much like the Living Skipper of 1970, but with fuller lips. In 1971, apart of the Sun Set line of dolls, Skipper became Malibu Skipper with suntanned skin and twist 'n turn waist. Skipper was introduced as Barbie's first-ever family member in 1964. Sometimes she is even more down to earth than Barbie! She is often the level headed logical one of the sister. Skipper tends to be quiet and shy compared to her sisters, but she does have a sarcastic and funny side, she has a dry sense of humor. Skipper also likes electronic music, scratch DJing, and babysitting. She loves modern technology, and her recent dolls sometimes come with a tablet or phone. Skipper is the techno whiz of the sisters. All those times when you had to limit your ambition – that’s in the past.Īdd 3D objects to your scenes – anything from helicopters and spaceships to the Empire State Building or your production company’s logo. HitFilm 4 Pro is the only video software that includes everything you need to create huge scale movies on an indie budget. Take your channel to the next level with HitFilm’s all-in-one video editing. Create beautiful title sequences and sophisticated motion graphics. Want to create epic videos on a budget? HitFilm brings even your biggest ideas to life. 39737 Win 圆4Ī unique mix of video editing, visual effects and 3D compositing for filmmakers and professional motion artists. Registration is free, but you have to provide your email address, and FXhome asks that you share the news on social media before downloading.Title: FXhome HitFilm Pro 2017. To download the software, you’ll need to be logged into the website. The core application is free, while individual content packs cost between $10 and $50. HitFilm Express 2017 is available now for 64-bit Windows 7+ and Mac OS X 10.10+. However, that still leaves over 180 presets, not to mention the basic editing and 3D compositing toolsets: for a free application, you get a lot of bang for your (lack of) buck. You can find a comparison table for the two editions here. Many of the advanced toolsets are also split out into paid add-ons, including the BorisFX 3D Objects titling tools, denoising and image repair systems, and a lot of the preset effects. Lacks the advanced features of the Pro edition, but still a versatile toolĪs before, HitFilm Express 2017 lacks some of the existing functionality from the Pro edition, including the option to import and render 3D models, OpenEXR import, and support for OFX plugins. New features in the Pro edition not included in Express include support for 32-bit, 8K footage – Express’s maximum resolution has risen from 1080p to 4K, but it’s still capped at 8-bit depth – and the changes to the colour grading and mocha planar tracking toolsets, both of which are paid add-on modules in Express. We wrote about most of those features in our original story on the commercial version of the software, HitFilm Pro 2017, when it was released last November, so we won’t cover them again in detail here. Full Retina and HiDPI support on Mac and Windows.Dynamic toolbox property searching for a faster and improved workflow.Support for UHD projects and RAM preview for faster playback.New export queue for easy queuing, modification and duplication of tasks.Industry-standard editing tools including J-cuts and L-cuts.
You can convert spectral width from frequency to wavelength as in this article and I have done that calculation. (v) # of waves or cycles that pass a given point in a second (s-1) or hertz. (^)- high wavelength low frequency(m) or nm= 1.10X9 frequency. Chapter 6 wavelength frequency and conversion - Quizlet. Frequency is how many waves pass a defined point per second.Key Takeaways: Frequency to Wavelength Conversion Convert Frequency to Wavelength Worked Example Problem. The most significant measurement is distance, which is determined by wavelength. The visible light wavelength is constant between 400 and 700 nanometers. The wavelength, also known as lambda, is calculated by dividing the velocity or speed of light by frequency. Difference Between Wavelength and Frequency. Usage: Type the value of the wavelength, frequency, or energy you want to convert into the field behind which you find the unit. The majority of gases exhibit strong spectral signatures in this region and hence it is important in environmental, chemical and biomedical applications. One region of the spectrum that is poorly covered is the mid-IR (2-25μm). Frequency conversion using crystals has limitations in the wavelengths that can be achieved. Laser frequency conversion - Glophotonics. Here is a simple JavaScript routine that converts between frequency and wavelength in the electromagnetic field realm. Substitute the values of the wavelength (λ), … Frequency ‹―› Wavelength Calculator - RF Cafe. In order to convert a wavelength to energy in electronvolts (eV): Utilize Planck's energy equation E = h × c / λ. Convert Frequency to Wavelengh Enter Frequency in MHz | Wavelengh in Meters Frequency in MHz Meter Home Listen Radio Hear what you want, where and when you … Wavelength to Energy Calculator. Convert Frequency to Wavelength - RF Page. Note: Period of wave is the time it takes the wave to go through one complete cycle, = 1/f, where f is the wave frequency. Wavelength Frequency Calculator - EndMemo. Variables in the Wavelength Equation = wavelength v = velocity f = frequency. Conversion of Fluxes This page allows one to upload a file containing wavelength and flux values, one pair per line, whereupon the form returns the values … Convert frequency into wavelength - Math Learning. Flux Conversion Tool | Gemini Observatory. Our wavelength to frequency calculator is here to help you estimate frequency given the wavelength and vice versa. Add your first figure and second figure together to get your total Z kg.Wavelength to Frequency Calculator.So, multiply your Y pounds figure by 0.45359237 to give you the second figure. So, multiply your X stone figure by 6.35029318 to give you the first figure. If you want to know how many kilograms there are in X stone and Y pounds, try the following: How to convert stone AND pounds to kilograms Advertisements How to convert stone to kilogramsĪs there are 6.35029318 kilograms in a stone, to convert stone to kilograms you simply multiply your stone figure by 6.35029318. Should you wish to convert kilos to pounds only, you can use the converter here. This gives you your answer of X kg = Y st and Z lb.Take the decimal figure from step 1 and multiply it by 14 to get your pounds figure (Z).The whole number (the value before the decimal point) represents your stone figure (Y). To begin with, divide your kilograms figure (X) by 6.35029318 to get your full stone value including decimal.If you want to know how many stone and pounds (as a whole, not distinct) there are in X kg, try the following: How to convert kilograms to stone AND pounds To convert kilograms to stone, divide your kg figure by 6.35029318. If you're trying to calculate your weight, you may wish to use your figure with the BMI calculator or BMR calculator. Stone and pounds to kilograms Stone and lbĬonversions are rounded to 2 decimal places. (2006): “Changes at Work and Employee Reactions: Organizational Elements, Job Insecurity, and Short-Term Stress as Predictors for Employee Health and Safety”, Scandinavian Journal of Psychology, 47: 541- 550. (2001): “The Effects of Job Insecurity on Employee Safety Outcomes: Cross-Sectional and Longitudinal Explanations”, Journal of Occupational Health Psychology, 6: 139–159. (2005): “Religion, Stress, and Mental Health in Adolescence: Findings From Add Health”, Review of Religious Research, 46: 341-354. (2008): “Perceived Job Insecurity, Job Predictability, Personality, and Health”, JOEM, 50: 172-181. (2000): “Organizational Antecedents and Outcomes of Job Insecurity: A Longitudinal Study in Three Organizations in Finland”, Journal of Organizational Behavior, 21: 443-459. KINNUNEN, U., MAUNO, S., NATTI AND, J.(2006): “The Relationship Between Nonstandard Working and Mental Health in A Representative Sample of The South Korean Population”, Social Science & Medicine, 63: 566–574. KIM, I.-H., MUNTANER, C., KHANG, Y.-H., PAEK, D.(2000): “Job Strain, Effort-Reward Imbalance and Employee Well-Being: A Large-Scale Cross- Sectional Study”, Social Science & Medicine, 50: 1317-1327. (2007): “Exploring The Predictors and Consequences of Job Insecurity’s Components”, Journal of Managerial Psychology, 22: 40-64. (2003): “Does Job Insecurity Lead to Impaired Well-Being or Vice Versa? Estimation of Cross-Lagged Effects Using Latent Variable Modelling”, Journal of Organizational Behavior, 24: 215-236. (1999): “A Two Dimensional Approach to Job Insecurity: Consequences for Employee Attitudes and Well- Being”, European Journal of Work and Organizational Psychology, 8: 179-195. How Productive is The New, Flexible Labour Force?”, Australian and New Zealand Journal of Public Health, 30: 205-212. (2006): “Work Demands, Job Insecurity and Sickness Absence From Work. D’SOUZA, R.M., STRAZDINS, L., BROM, D.H., RODGERS, B.(2008): “Employability and Employees’ Well-Being: Mediation by Job Insecurity”, Applied Pyschology: An International Review, 57: 488-509. CUYPER, N., OETTEL, C.B., BERNTSON, E., WITTE, H.(2005): “Job Insecurity and It’s Association With Health Among Employees in The Taiwanese General Population”, Social Science & Medicine, 61: 41-52. Players can see who’s carrying a keycard, so hang on to that card too long, and it’s bound to draw suspicion. To stop Residents from advancing, a dastardly Personoid can collect a keycard and play keep away. Each level requires three keycards to move to the next location.If you see another player grab a syringe, watch out! However, Personoids can also use syringes against Residents for an up close insta-kill. Personoids are tricksters and will always be looking for opportunities to shove an unsuspecting Resident into fire or lock them in a freezer.Personoids don’t need air and can sabotage those same stations, so be on the lookout for anyone suspiciously lingering near one. Residents need oxygen to survive and can replenish the ship’s supply by finding spare canisters and turning them in at designated oxygen stations.Only you can decide, but here’s a few helpful things to keep in mind: Who can you trust? Should you follow the player asking for your help with a co-operative task, or are they leading into a trap? That means lying, tricking, and ultimately ridding the ship of those pesky humans.ĭespite the many potential perils in the game (and there are a lot), deception is arguably the most deadly weapon to wield in First Class Trouble. To reach C.A.I.N., you’ll need to collect three keycards to progress to the next level deeper inside the ship.įor Personoids, your main goal is simple: stop the Residents from succeeding at all costs. Here you’ll have a crucial decision to make: collaborate or deceive?įor Residents, your main goal is to shut down the rogue A.I. Residents are human passengers, and Personoids are mechanically engineered assistants whose programming has been overwritten.Īlthough everyone plays together, you’ll have different objectives to complete depending on your role. First, let’s start with the basics: At the beginning of each game, you’ll be randomly assigned the role of either Resident or Personoid. Some experts predict that Japan's aging population will create a labor shortage that will increase career options for freeters. The rise of internet business has allowed some freeters to work from home and be self-employed. Two thirds of freeters have never had a regular, full-time job. According to a survey by the Japan Institute of Labor in 2000, the average freeter works 4.9 days per week and earns ¥139,000 per month (ca. If they work at all, freeters often work at convenience stores, supermarkets, fast food outlets, restaurants, and other low paying jobs. Many Japanese people worry about the future impact of freeters on society. The number for 2001 is 4.17 million freeters according to one estimate, and 2 million in 2002 according to another estimate. In 1982 there were an estimated 0.5 million freeters in Japan, 0.8 million in 1987, 1.01 million in 1992 and 1.5 million in 1997. The employment situation is worse for the youngest freeters.įrom 2000 to 2009, the number of freeters increased rapidly. Ībout 10% of high school and university graduates could not find steady employment in the spring of 2000, and a full 50% of those who could find a job left within three years after employment. The increase in private secondary schools is leading to a lower number of public school students getting enrolled into elite universities resulting in more demand for part-time work as full-time work is becoming less available to public school graduates. The relaxation of protective labor laws and the deregulation of recruitment practices in 1998 allowed companies to employ larger numbers of flexible workers for longer periods of time. Companies halted hiring graduates for permanent employment, rolled back bonuses, incentivized senior employees to retire, and created a strong policy of hiring temporary staff for more flexibility and company savings with over a third of the workforce moving onto contractual work. The almost two decade recession urged companies to change their workforce policies to stay relevant in the global market. The increase of Freeters in the 1990s and 2000s is associated with the subsequent rapid changes that the nation has undergone since the bursting of the economic bubble at the beginning of the 1990s and the increasing neoliberalization of the economy. In the 1990s and 2000s, the term switched to a negative connotation and Freeters were seen as burdens on society. In the 1980s, the term was seen in a positive light signifying the freedom to explore other alternative options for employment for fun when the economy in Japan was prosperous with many different job opportunities. The meaning of the term switched connotations from positive to negative after the economic bubble of the Japanese economy broke resulting in a recession in the 1990s. This term was coined by part-time job magazine From A editor Michishita Hiroshi in 1987 and was used to depict a "free" worker that worked less hours, earned pay hourly instead of a monthly paycheck like regular full time workers, and received none of the benefits of a regular full time worker (holiday pay, sick pay, bonus pay, paid leave). As German (along with English) was used in Japanese universities before World War II, especially for science and medicine, arubaito became common among students to describe part-time work for university students. Arubaito is a Japanese loanword from Arbeiter, and perhaps from Arbeit ("work"). The word freeter or freeta is thought to be a portmanteau of the English word free (or perhaps freelance) and the German word Arbeiter ("labourer"). These people do not start a career after high school or university, but instead earn money from low-paid jobs. įreeters may also be described as underemployed. In Japan, a freeter ( フリーター, furītā) is a person who is unemployed or lacks full-time employment, excluding housewives and students. Just a heads up: The modded APK only works with Android 9 or earlier. So, for now, I'm "un-deprecating" the modded APK - at least until a new official version of HyperSpin gets published to Google Play Store. Unfortunately it looks like development has slowed down again. Update 2: The last official HyperSpin for Android Beta version can be found bellow. Having said that, the beta version is suffering from several issues (No support for SAF, no ability to launch several emulators, suffering from some instability, etc). Please use the official HyperSpin version instead. Update: As recently introduced support for newer versions of RetroArch in the official version of HyperSpin this mod is officially deprecated. You can use APK Studio to verify my changes. You can find the two lines of code that I've modified bellow. I reversed engineered the original Google Store APK using Apktool and JEB. If you have a specific use case that would benefit from this feature comment bellow and I'll see what I can do. I find that I can accomplish what I want with the default config file + settings overrides. As long as the package name starts with com.retroarch everything should work.Ĭan I configure HyperSpin to load retroarch.cfg from a custom location? storage/emulated/0/Android/data/32/files/retroarch.cfgĬan I make Hyperspin launch my own custom compiled version of RetroArch? Yes, it will always load the default configuration file for each version.ĭefault configuration files are in /storage/emulated/0/Android/data//files/retroarch.cfg Will it load separate configuration files for 32bit and 64bit versions? Parameters=cores/mame2010_libretro_android.so Parameters=cores/dolphin_libretro_android.soĪnd the 32bit version of RA + MAME Core (MAME.ini): Yes, you just need to set different exe values for different systems.įor instance, you can use the 64bit version of RA + Dolphin core for GameCube games (Nintendo GameCube.ini): RetroArch's website 64bit version and RetroArch Plus:Įxe=64/.RetroActivityFutureĬan I mix and match multiple RetroArch distributions? Main APK from RetroArch's website and Google Play Store Version:Įxe=com.retroarch/.RetroActivityFutureĮxe=32/.RetroActivityFuture How to configure your Settings_Android ini files: This is an unofficial version of HyperSpin for Android able to launch all modern versions of RetroArch. I know i have asked you this before and you are busy but i seem so close to cracking this now m2v files as either VLC or Mx Player on the nvidia shield like you can on android phones. Or is there a way of assigning the default app for. So i was wondering if you have any other video playing apps installed on your system that i don't? or do you know which video player is playing the. m2v video file in es file explore and it will not play when i select the default standard android video player.Īlthough it plays fine when i select Vlc or Mx video Player. So it seems to just be refusing to play the ace.m2v video file in that folder and causing the crash I tried the same test a couple of times and it kept creating a new. Hyperspin crashed back to my shield tv home menu but it also created a new. dat file in that folder, then i ran hyperspin and selected space ace. The reason i know this is because i deleted the. I have determined that i must have my path set correctly in my frame file emulated/0/Hyperspin/Emulators/Daphne/Daphne/ace/ . Really sorry to bother you again, but i am still stuck on this and I would really appreciate some further help Please please help as i can't understand why yours is working in the vid txt files with the correct path as you described.īut no matter which rom i try and run directly in retroarch, ace, lair, cobra command etc.none will run they all say failed to load content? txt frame files that i have placed in the frame file folder. I have the zip roms in the rom folder, the games in Emulators/Daphne/Daphne in individually named folders that matching. I have tried to run cobra command rom directly in RetroArch before even going to the next stage with hypertspin integration and it either fails to load content or crashes RetroArch completely. However, Daphne on my nvidia shield tv using RetroArch 1.7.7 and the test core you linked still isn't working for me. I am already pretty good i think when it comes to android and hyper spin etc and I have followed your instructions very carefully and i believe very properly. Please could you help me as i have been trying to solve this for hours. You're don't deserve this," he spits out in Xiao's direction, and they two make their exit, leaving Xiao flustered and straining futilely against the binds.Ī curious apprehension coils in the pit of Xiao's stomach as he listens in for the sound of footsteps His Highness has never conceded to personally torture him before: he has occasionally made a presence though, watching the Heralds torment Xiao's flesh with an array of unthinkable devices, his expression ever devoid of emotion Xiao could never tell whether the sight of torture brought him satisfaction or appalled him. I'd give my right arm to be tortured by His Highness like this one's about to. The other simply chuckles, giving the other Herald a profound look: "Torture, he says. "I-is this some kind of torture?" Xiao asks the Herald who had spoken to him in the bathroom. Bursting into a deep crimson blush, Xiao attempts to close his thighs, but to no avail: the binds on his legs restrict any movement. Xiao is hardly allowed the luxury of observation, however, as he is once again unclothed and pushed down onto the bed which stands upon the elevation, under the canopy of golden brocade the Heralds tie him to the bedposts by thick leather binds: the position keeps Xiao's limbs spread, offering all of him for full display. "By all means," the Herald shrugs, falling back to lean aganst the tiled wall with his arms folded on his chest, ice-blue eyes watching Xiao's every move.Īfter he has thoroughly cleaned himself and dressed into a pristine-white robe, Xiao is led through the labyrinth of corridors and brought to an unfamiliar room, which turns out to be the master bedroom: large and spacious, and richly-decorated, it appears somewhat bleak despite the prevalent dyhotomy of gold and obsydian. "I'll gouge your fucking eyes out," Xiao growls and snatches the washcloth. Now I see, huh," the Herald says, glancing between Xiao's legs. I won't touch what belongs to His Highness." He slaps Xiao's backside with a washcloth, chuckling, "Couldn't fathom what he found in that scrawny piece of ass. He hisses in embarrassment when the soap ventures into his private parts, scraping ruthlessly at the tender skin, but the Abyss Herald only chuckles at Xiao's abashment: "Don't fret, Yaksha. When he is dragged from the palace hall by Abyss Heralds, once again having rejected His Highness' demand of allegiance, Xiao expects torture to follow his continuous impudence instead, he is brought to a chilly, dimly lit, but surpsisingly clean-looking bathroom, stripped of his clothes by a pair of rough hands and soused with bucketfuls of unheated water while having those same hands rub soap into his blood- and sweat-stained skin. High performance on the platform of your choice
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